10:20 Angel Heart
We discuss both the Supernatural Season 10, Episode 20, Angel Heart, and the 1987 movie of the same name. Do they have anything in common? How many felonies did Sam Winchester teach Claire in this episode?
Research Links
- Revisiting 'Angel Heart' (1987): The Intersection of Film Noir and Supernatural Horror – Longbox of Darkness
- Video of 'Angel Heart' Restores Edited Scene - The New York Times
- Lisa Bonet On Family, Husband Jason Momoa & Working With Bill Cosby | PORTER
- Facts - Angel Heart - Wiki: The Story of the Shooting, The Plot
- BONET'S 'ANGEL' HEARTACHE - Los Angeles Times
- The Angel Heart scandal: why Mickey Rourke and Lisa Bonet's voodoo sex bedeviled Bill Cosby
Transcript
Did you get denied your safety school because you were locked up in juvie for hunting?
Speaker A:Why don't you consider wih the Winchester Institute of Hunting, featuring such classes as.
Speaker B:Forensic accounting, aliases, credit card fraud, and basic hacking.
Speaker A:And sign up early and you can get a discount on Professor Dean's night.
Speaker B:School fist fights and firearms.
Speaker B:Making the mark work for you?
Speaker A:Let's do this.
Speaker B:Welcome to this week's episode of Devil's Trap podcast.
Speaker B:I'm Diana.
Speaker A:And I'm Liz.
Speaker B:And we're gonna talk.
Speaker B:Season 10, episode 20 Angel Heart indeed.
Speaker A:But first, this is the part where we talk about ourselves.
Speaker B:Huh?
Speaker B:Yeah.
Speaker A:How have you been?
Speaker B:I'm good.
Speaker B:Now I feel like, what have I done?
Speaker B:Oh, I spent time with my family.
Speaker B:I saw a local artist named Mitchell Ferguson who was really fun.
Speaker B:And then I saw some other really interesting, talented bands that are not my jam and worked.
Speaker B:That's what I got ta da.
Speaker A:That sounds exciting.
Speaker B:Yeah.
Speaker B:How about.
Speaker B:What have you been up to?
Speaker A:Hurting myself.
Speaker B:No.
Speaker B:Yeah.
Speaker A:No, I've just been, you know, there's been a lot of working out, and I went to aerial yoga at the studio on Saturday and that was much more aerial than it was yoga, and then got convinced to go join them for a class on Monday, which was both Lyra, which is the big metal hoop, and silks, which is the hammock, which is what you do like in aerial.
Speaker A:In aerial yoga, which is like the big thing that you can cocoon in.
Speaker A:But I have always avoided the fabrics because I don't think it's right that they hurt as much as they do because at least like the metal hoop, it's a.
Speaker A:It's a big metal loop and it's supposed to hurt.
Speaker A:I know my brain is like, I'm going to sit on this and it's gonna suck.
Speaker A:But fabric is nice and it's soft and right now, like in your skin.
Speaker A:Yeah.
Speaker A:And silks was a lot of fun.
Speaker A:It's basically self bondage.
Speaker A:And I, you know, tied myself upside down with my feet and kept hanging.
Speaker A:You know, I hung upside down by my butt and.
Speaker A:And did a bunch of different poses in it.
Speaker A:And yeah, so it's really pretty.
Speaker A:And now I have a giant ring of bruises around my hips.
Speaker A:And I realize that I put my hands on my hips a lot.
Speaker A:Like that is the thing I do, is I just stand around and put.
Speaker B:Your hands on your hips.
Speaker A:Yeah.
Speaker A:So where your bruises are now, now maybe I can at least learn to put my hands someplace else and stop looking like a bossy pants.
Speaker A:So yeah, that's all.
Speaker A:I.
Speaker A:You know, like, that's all I've been doing is.
Speaker B:That's all.
Speaker A:Oh, I've just been hanging upside down by my foot, so.
Speaker A:But that's been fun.
Speaker A:And this weekend is the Psychic Fest, the San Antonio one that curious twins puts on.
Speaker A:But it's so hot.
Speaker A:Like, we are just having, like, the worst heat wave.
Speaker B:Yeah.
Speaker A:I don't want to be outside for two days.
Speaker B:Yeah, it was, like, unlike abnormally cool for into the day.
Speaker B:It was a couple weeks ago, rain, and then now it's gonna be hot as, like, we're gonna break 100.
Speaker A:Yeah.
Speaker A:It was too nice.
Speaker A:It was.
Speaker A:It was too.
Speaker A:It got too nice.
Speaker A:It was too pleasant.
Speaker A:And now we have to pay for those, like, three days where it was just nice in Texas.
Speaker A:But now we have to pay.
Speaker B:But it means it's almost pool season.
Speaker A:It is.
Speaker A:It is almost full season.
Speaker A:My pool doesn't have any snakes in it right now, so it's ready to go.
Speaker B:That's a good thing right now.
Speaker A:Yeah.
Speaker A:You know, I checked this morning, and, you know, there weren't any there, so.
Speaker B:Snake free as of 9am I think.
Speaker A:That'S a good watch.
Speaker A:I would like to have, instead of, like, zero incidents.
Speaker B:Snake free.
Speaker B:Oh, goodness.
Speaker B:Well, we are getting to the end of this season.
Speaker A:We are.
Speaker A:It's approaching, and, you know, I mean, there's some things that I like about the season, and there's some things I don't.
Speaker A:So first thing is, you know, first thing I hate about this.
Speaker A:No, that's the real time.
Speaker A:So this.
Speaker A:This episode.
Speaker A:This episode title is Angel Heart.
Speaker A:Right.
Speaker A: ause it's likely Based on the: Speaker A:And this is about an angel who has a heart, but it's pretty opposite the movie's plot.
Speaker A:And, like, do you.
Speaker A:Do you remember that movie?
Speaker A:Okay.
Speaker A:I know it came out before you were born, probably, but close, though.
Speaker A:But it was very dark and not something that everybody has seen.
Speaker A:So let's discuss the movie's plot and maybe some of the scandal that was associated with it.
Speaker A:And then we can circle back at the end of our episode and see if this should have been named Angel Heart.
Speaker B:But is this.
Speaker B:Is this our lore?
Speaker A:This is our lore, yeah.
Speaker A:So Angel Heart, it is based on the novel Falling angel by the author William Hjortsberg.
Speaker A:I don't know if that's how you say its name, but he.
Speaker A:It's spelled with an hj.
Speaker A:So I want to say it's a Yorzberg and I'm going to stick to it.
Speaker A:Several changes that were made to his book, including adding New Orleans as a location.
Speaker A:And that makes the plot the following.
Speaker A: for a movie that was made in: Speaker A:So if you want to watch this, skip ahead.
Speaker B:Sure.
Speaker A: starts off in New York in the: Speaker A:And it's very strange to watch Pre getting his face smashed in and all the other things that happened to it.
Speaker B:Mickey Rourke.
Speaker A:And so he is called to Harlem for a meeting with a client named Louis Cipher, played by Dustin Hoffman.
Speaker A:And Dustin Hoffman.
Speaker A:Cipher wants him to find this singer named Johnny Favorite.
Speaker A:He was a crooner.
Speaker A:Remember, this is the 50s.
Speaker A:So in the 40s, there was this crooner and he was really famous.
Speaker A:Name is Johnny Favorite.
Speaker A:And Cypher wants him to find him because this guy Johnny owed him a debt and it was tied to a contract.
Speaker A:But unfortunately, before he paid him back, he got in a wartime accident and had amnesia.
Speaker A:Cypher thought that Johnny was in a hospital for the last decade, but now he thinks the hospital is being fishy and he wants angel to investigate.
Speaker A:So angel goes to the hospital Johnny Favorite was supposed to be at and is told Johnny was sent to another hospital.
Speaker A:Not believing that, angel goes to the main doctor's house and then figures out that this doctor is addicted to morphine.
Speaker A:And then in order to get the doctor to say what he wants, he locks the doctor in the house away from his drugs and says that he'll come back so he can learn, like, what he needs to do to know.
Speaker A:But so he locks him in there, and then he comes back and the doctor is dead and he has been shot in the eye.
Speaker A:And he's like, well, clearly it's a suicide because the door was locked, right?
Speaker A:So angel then learns that Johnny was engaged to a woman named Margaret, also known as the Witch of Wellesley.
Speaker A:And he had another woman on the side named Evangeline Proudfoot, who ran a spooky store in Harlem.
Speaker A: me a time machine to go to a: Speaker A:So in addition to that, he also hung out with a woman named Madam Madame Zora, which is Dasha's Fancy, right?
Speaker A:So he goes down to Coney island, and in Coney island, he finds a woman in the ocean and that woman tells him that Madam Zora is Margaret, you dumbass.
Speaker A:So angel then ends up going to New Orleans and he follows a woman to her apartment and it is Margaret.
Speaker A:And Margaret knew his name when he rang her bell.
Speaker A:And we found out that he had made an appointment for a horoscope or a palm reading.
Speaker A:And he starts giving out dates and stuff, but she throws him out when he starts asking about Johnny.
Speaker A:Then Johnny goes out into a rural community where he finds Evangeline's grave.
Speaker A:And there a girl comes up with a toddler.
Speaker A:He approaches her, finds out that she is Evangeline's daughter, named Epiphany.
Speaker A:And Epiphany is played by a 19 year old Lisa Bonet.
Speaker A:Now she says she doesn't know anything about Johnny Favor or anything like that.
Speaker A:So angel goes off, he meets a musician named Toots.
Speaker A:Sweet.
Speaker A:T o O T s, but you know Tootsie.
Speaker A:Yeah.
Speaker B:Yep.
Speaker A:And in a jazz bar and he points him back to Margaret and there's a thing with a chicken foot.
Speaker A:And then he follows him out to the countryside where he sees a voodoo ritual that was led by Epiphany, who dances with the chicken, then cuts its throat and dances as the blood falls all over her.
Speaker A:Later, angel confronts Toots at his place.
Speaker A:Toots tells him that Epiphany is a priestess like her mother was, and she's been a priestess since she was 13.
Speaker A:And I'm just like we told Wednesday college first.
Speaker A:So the next day Toots is found murdered in a very horrific way.
Speaker A:Someone cut off his dick and shoved it down his throat and he choked to death on it.
Speaker A:So pretty bad.
Speaker A:Then angel finds that Margaret is also dead and her heart's been cut out.
Speaker A:Angel then gets beat up by Margaret's father, goons and a dog.
Speaker A:Then Epiphany shows up at his hotel room and then she tells him she doesn't know who the father of her kid is.
Speaker A:When she asks that she got impregnated during a ritual and she tells him that she's 17.
Speaker A:And then they have sex.
Speaker A:This is Mickey Rourke who was like 35 and she was 17 and she really.
Speaker A:Lisa Bonet was 19, but still.
Speaker A:Okay.
Speaker A:And then like as they're doing it like this, this hotel room had all these like water leaks in, but then the water leaks start turning to blood.
Speaker A:So then as they're doing it, blood is just like raining down on them.
Speaker A:And then like she's screaming a lot and he's just like his butt there.
Speaker A:So anyhow, so distressing.
Speaker A:Yeah.
Speaker A:This is what they mean this episode.
Speaker A:All right, so then the cops are getting a little suspicious of this New York dick that's surrounded by all these corpses.
Speaker A:Like, dude, you showed up.
Speaker A:And now all these people are really, horribly dead.
Speaker A:This is very Susan.
Speaker A:Yeah, yeah.
Speaker A:Very sus.
Speaker A:So angel goes and finds Margaret's father, Ethan, who informs him that not only was Johnny a singer, but he was really into the dark arts, and he sold his soul for fame and profit.
Speaker A:Then to try and outsmart the devil, Johnny kidnapped a soldier who could pass for him around the same age, kind of look the same.
Speaker A:And then he ate his heart and stole his identity.
Speaker A:But before everything was solidified, he got drafted and then got amnesia during the war.
Speaker A: Times Square, New Year's Eve,: Speaker A:Now, this whole time, angel has been having all these flashbacks about, like, New York and the 40s and, like, New Year's Eve and, like, weird women were playing and stuff.
Speaker A:Ah.
Speaker A:So as he's telling him this stuff, and, like, Johnny just starts vomiting in the bathroom.
Speaker A:And then he comes out and he finds Ethan is drowned in this giant cauldron of gumbo.
Speaker A:And this cauldron is, like, as big as I am tall, which I know is not very tall, but it is.
Speaker A:Is still, like, huge.
Speaker A:And I just.
Speaker A:It was a giant cauldron, and I.
Speaker B:Wanted a lot of gumbo.
Speaker A:So much gumbo.
Speaker A:And I have so many questions about this.
Speaker A:Like, how do you get the leftovers out?
Speaker A:Like, how do you clean it?
Speaker A:Like, how does it dry?
Speaker A:Like, how do you keep it from rusting?
Speaker A:How do you season it?
Speaker A:Like, does it get passed down?
Speaker A:Because I want the giant cauldron, and I do.
Speaker A:So I need to.
Speaker A:I need to know the answers to these things.
Speaker A:So at Margaret's, angel finds dog tags with the name Harold angel on them and realizes that he was Johnny all along.
Speaker A:The ritual worked, and he had amnesia.
Speaker A:He was the soldier that.
Speaker A:That got put inside him.
Speaker A:Right?
Speaker A:So kind of like an angel going inside him.
Speaker A:Right.
Speaker A:So then Louis Cipher shows up and realizes, hey, that's a homophone for Lucifer, you moron.
Speaker A:Louis.
Speaker A:Louis Cypher.
Speaker A:Lucifer.
Speaker A:Right.
Speaker A:Then he tells angel, yep, yep, you killed all those people.
Speaker A:All those people.
Speaker A:That was you who was doing that killing.
Speaker A:Also, Johnny favorite was Epiphany's F.
Speaker A:And that means you are her father and you just had sex with her.
Speaker A:Then he goes back and he goes and he finds Epiphany is dead.
Speaker A:And she is dead because she's been shot up her vagina with a gun.
Speaker A:With his gun, in fact.
Speaker A:It's very, very awful.
Speaker A:And she is wearing Angel's dog sex.
Speaker A:The police show up, tell him he is going to burn for what he did.
Speaker A:And angel says, yeah, in hell.
Speaker A:And then the toddler, her kid is like.
Speaker A:The police bring him into the room and then the toddler's eyes start just like Lucifer's eyes did earlier in the movie.
Speaker A:So now we know that Lucifer is the child's father.
Speaker A:And then it goes to the credits.
Speaker A:It just shows, like angel, like going down in an elevator.
Speaker A:All right, so that's the plot.
Speaker B:What the.
Speaker A:Right, so that's quite a cast.
Speaker A:It is quite a cast.
Speaker A:And one thing that happened during this, this is when the feud between Robert De Niro and Mickey Rourke started, supposedly over their approaches to acting.
Speaker A:Recently, Rourke, he doesn't forget what happened 20 years ago.
Speaker A:They have a saying, I took him to school before.
Speaker A:No other actor had taken him to school.
Speaker A:So he still has.
Speaker A:Really?
Speaker A:Mickey works.
Speaker A:Mickey works.
Speaker A:So has beef with.
Speaker A:With dinero, which I think is fun.
Speaker A:But the main scandal was whether or not this movie was obscene.
Speaker A:And how dare Denise Cosby beat an X rated film.
Speaker A: ck during this time, this was: Speaker A:The Cosby show was one of the biggest television shows at the time.
Speaker A:And Cosby was known kind of for controlling his television family's lives and what they could do because he's.
Speaker B:He wanted to keep the.
Speaker B:He wanted to keep the perspective for marketing reasons.
Speaker B:Yeah, he wanted the Cosby's to be the Cosby's.
Speaker A:Yeah.
Speaker A:And he was just a controlling, you know, so.
Speaker A:But Lisa Bonet asked his permission to be in the movie.
Speaker A:And so when she first approached him with it, she said, I wasn't really concerned.
Speaker A:She told us to the Oklahoman.
Speaker A:But a lot of people who worked around Cosby were concerned that he wouldn't be happy with it.
Speaker A:I walked in there and said, I've been offered this part and I'd like to do it.
Speaker A:I must tell you that it's got a bit of nudity and it's going to be very controversial.
Speaker A:I'd like to do it.
Speaker A:And what do you think?
Speaker A:And he said exactly this, Lisa.
Speaker A:This is called the Cosby Show.
Speaker A:And I know how this business works.
Speaker A:I know that you kids can be erased just like that.
Speaker A:I've been in this business long enough to know that.
Speaker A:And there's no reason why you shouldn't be working and get out of my dressing room.
Speaker A:And then so he basically gave her, like, blessing and permission to do this.
Speaker A:Then as the movie was set to come out, the press started getting up.
Speaker A:Like there was a whole bunch of controversy about her sex scenes and that you could see her boobs throughout the movie and she kept wearing, like, obvious, see through shirts.
Speaker A: eenage girl, but this was the: Speaker A:It was mainly slut shaving Lisa Bonet.
Speaker A:And she told Interview magazine, I didn't care what anyone around the set felt because people were going to see me on screen and judge me anyway, so fuck everyone else and go to town.
Speaker A:I felt confident, that's all.
Speaker A:The director Alan Parker said Bonet was more relaxed than Mickey Rourke during the sex scene.
Speaker A:And just everybody else in the room and everyone else was just kind of uncomfortable.
Speaker A:Maybe some of them just realized this should be uncomfortable.
Speaker A:Hopefully some of them.
Speaker A:But also, you know, there was this also the fact that she was Denise Cost Cosby and she said, you know, I was not concerned with how Denise was going to feel, nor was I going to destroy her reputation.
Speaker A:Instead, I felt obligated to my career and my freedom of artistic choice.
Speaker A:The director Alan Parker said to LA Times is just easy journalism.
Speaker A:That she's on the Cosby show is not relevant to the movie.
Speaker A:It is relevant to journalism.
Speaker A:I didn't hire her because of the Cosby Show.
Speaker A:I have never even seen the show.
Speaker A:I hired her because she was right for the role.
Speaker A:So things, though, did escalate when the MPAA Motion Pictures association gave the movie an X rating, claiming that the blood during the sex scene made it too violent.
Speaker A:And TriStar Pictures refused to release it.
Speaker A:Director Alan Parker filed an appeal and they reluctantly.
Speaker A:He reluctantly agreed to cut about 10 seconds of the movie when you could see, quote, Mickey Rourke's backside pumping up and down.
Speaker A:And the film was given an R rating and relaxing release.
Speaker A:Parker later stated that their concerns led to a wasteful, pointless and expensive exercise.
Speaker A:Bonet also defended the film's sexuality, saying it wasn't any worse than Blue Velvet or Nine and a Half Weeks.
Speaker A:But when asked whether she agreed with Spike Lee's assessment that the censors do not know how to handle black sexuality, Bonet replied, they say it was the blood, but it's a pretty erotic scene.
Speaker A:But of course, I wasn't screwing someone who was black either.
Speaker A:So there is also the interracial aspect of it.
Speaker A:And then the just.
Speaker A:This was another kind of beyond the just a general exploitation of her as a teenage girl to the idea of we are casting another black woman as a voodoo priestess who's getting covered in blood, sleeps with the white, older white man, and then is murdered.
Speaker A:You know, it's a trope that during.
Speaker A: have that being recognized in: Speaker A:Like, a lot of people were even thinking about that.
Speaker A:But yeah.
Speaker A:So I think also it should be noted at this time, Bonet had been rebelling in other ways.
Speaker A:And I just thought she was the coolest.
Speaker A:She posed nude for Interview magazine.
Speaker A:She posed half naked for the Rolling Stones hot issue.
Speaker A:And allegedly she, like, wanted even more of an exposed photo for the COVID And they're like, we're gonna.
Speaker A:No, we're not gonna show them up.
Speaker A:So.
Speaker A:But on the Letterman show, when asked.
Speaker A:And also I think this is the same episode where she did put 32 grapes in her house in her mouth.
Speaker A:That is on YouTube.
Speaker A:I watch it this week.
Speaker A:It's quite impressive and also distressing.
Speaker A:Yeah.
Speaker A:Just so she.
Speaker A:Some.
Speaker A:She said that she was.
Speaker A:Because at this point she was leaving the Cosby show and she was going to do A Different World.
Speaker A:And she said they told me to.
Speaker A:It's not very original.
Speaker A:It's about kids in college.
Speaker A:So she did say some.
Speaker A:Some things out, you know, and she said she was concerned with how people saw her age.
Speaker A:I think before you become a certain age, you were constantly being questioned because adults assume you have no intelligence, no direction in life.
Speaker A:She said, obviously that's not right.
Speaker A:Since Emilio Estefes, 24, can write, Star, direct and produce his own movies and then stick his fiance in a film.
Speaker A:And I can really hear her saying that, not just because I watched her episode of Donahue with River Phoenix and Raul Julia and the guy from who wrote the.
Speaker A:The.
Speaker A:The vegetarian book.
Speaker A:It's.
Speaker A:Whoa, that was.
Speaker A:That was some 80s and like, so like it was like one of the first times that celebrities were like sitting on their platforms.
Speaker A:And like it's.
Speaker A:And it's so like watching the platforms they were speaking on into with today's for it's so fun.
Speaker A:I.
Speaker A:I highly ever go watch Lisa Bonet on the Donahue show and just everyone gonna kick out that.
Speaker A:All right.
Speaker A:So then she eloped with Lenny Kravitz, got pregnant and then got kicked off.
Speaker A:It's a different world.
Speaker A:She would eventually go back to the Cosby show with her adopted state stepdaughter, which I believe was the introduction of Raven Simone.
Speaker A:And with appearances through 6 and 7.
Speaker A:And then she had a permanent exit from the Cosby show and then went on to fuck Jason Moa.
Speaker A:So Angel Heart failed even to recoup its $18 million budget at the office box office.
Speaker A:The film debuted at number four at the weekend box office, garnering ticket sales of $3,688,721 from 850 screens, with an average of $4,526 per theater.
Speaker A: That is: Speaker A:I did not do the conversion, but the film's overall domestic gross was 17.2 million.
Speaker A:They did.
Speaker A:When they release it on video, they did put the 10 seconds back in.
Speaker A:And when you watch it on.
Speaker A:On.
Speaker A:You can watch it on all the.
Speaker A:The streaming stuff.
Speaker A:It's there everywhere.
Speaker B:Okay.
Speaker A:Yeah, it's streaming.
Speaker A:And you can see Mickey roar Rourke's butt.
Speaker B:But it's young Mickey Rourke's.
Speaker A:But it's young Mickey Rourke.
Speaker A:It's, you know, this is a cult classic.
Speaker A:The noir elements and the cinematography of it is spectacular.
Speaker A:There's so many good scenes and it's.
Speaker A:But it's obviously super problematic.
Speaker A:I tried to read the book and I got through like the fifth chapter.
Speaker A:I just kind of.
Speaker A:It was.
Speaker A:It was too noir for me.
Speaker A:It was just.
Speaker A:Yeah.
Speaker A:And it also was way.
Speaker A:I was like, after just having seen the movie, I was like, I can't do this again.
Speaker A:Again.
Speaker B:Traumatizing.
Speaker A:I don't want to watch this again.
Speaker A:I don't want to know about this again.
Speaker A:So.
Speaker A:Yeah.
Speaker A:So that is the very disturbing movie night, Angel Heart, that this episode was based off of.
Speaker A:That's fine.
Speaker A:So let's talk.
Speaker A:Let's talk about the episode.
Speaker A:In the end, we'll come back and we'll just say like, was that okay?
Speaker B:Has that happened?
Speaker B:Yeah.
Speaker B:Yeah.
Speaker A:So let's do this.
Speaker A:So this was episode 20.
Speaker A: ,: Speaker A:It was directed by Steve Boham, who we haven't seen since season eight, episode 16, Remember the Titans, and written by Robbie Thompson, who we obviously have seen a lot this season.
Speaker A:And we open to a very clean, non cluttered living room.
Speaker A:And I think I'm just very jealous of like, it's so clean.
Speaker B:It's very sparse and bright white.
Speaker A:It's very sparse, very white.
Speaker A:The pillows are very symmetrically organized.
Speaker A:There's nothing on the floor.
Speaker A:There's.
Speaker A:There's no boxes.
Speaker A:There's no cat hair.
Speaker B:Well, we, we see.
Speaker B:Well, we.
Speaker B:I mean, you can't.
Speaker B:You can't.
Speaker B:You can't see the Cat hair, if it's there.
Speaker B:We see a man at the door, and it is entering, and he calls for Amelia.
Speaker B:It is Jimmy Novak.
Speaker B:So Jimmy Novak coming home to his wife is what we have.
Speaker B:And he says to her, castiel is gone, and he asked about Claire, and they're hugging, but then Amelia starts bleeding from her arm and crying and saying, not again.
Speaker B:This is distressing.
Speaker B:This went from very, like, confusing and sweet to distressing.
Speaker A:Yeah.
Speaker B:And she wakes up chained to a dirty bed in a barn with a dude cutting her and breathing in her blue essence, her soul.
Speaker A:He was doing a soul bump.
Speaker A:This is a soul bump.
Speaker A:Yeah, he was doing her like a line of cocaine.
Speaker A:And so later, they say he.
Speaker A:That he's eating her, but I don't know.
Speaker A:So the dream begins again, and she's just in a loop.
Speaker A:And the loop is Cassidy's banded his vessel, and he's come home.
Speaker A:It's not up at all?
Speaker A:Nope.
Speaker B:Oh, no.
Speaker B:It's so distressing.
Speaker B:And, yeah.
Speaker B:So we cut to Tulsa, Oklahoma, outside of Lucky Star Steam and Massage, which happens to be next door to Susie's bar.
Speaker B:And Lucky Star just had a really.
Speaker A:Cool sign, so it did have a really cool side.
Speaker A:But I don't.
Speaker A:I mean, I don't think it's, like.
Speaker A:I don't think we're the type of clientele who go in there.
Speaker B:No.
Speaker A:So.
Speaker A:No.
Speaker A:And then inside the bar is a young lady.
Speaker B:Very young, because it's Claire.
Speaker B:Claire is at the bar, and the bartender does not believe her when she says her birthday is tomorrow.
Speaker B:But she definitely takes the 50 bucks to point Claire in the direction of the regular Ronnie Cartwright.
Speaker A:You still can't pee in a bar.
Speaker A:So.
Speaker A:Yes.
Speaker B:So illegal.
Speaker A:And so.
Speaker A:Yeah.
Speaker A:But it is Tulsa.
Speaker A:And in this bar next to the Steven Massage, I don't think that the White.
Speaker B:I will say Tulsa is actually a cooler city than it gets credit for.
Speaker B:It's actually a pretty fun city.
Speaker A:But the steam and massage area of.
Speaker B:Tulsa is probably not going to have a bar that a.
Speaker B:A minor can enter.
Speaker B:Correct.
Speaker A:So, yeah.
Speaker A:So she.
Speaker A:He is not happy to see her.
Speaker B:No.
Speaker B:He's drinking a beer.
Speaker B:And she wants her help.
Speaker B:She wants his help tracking down her mom, Amelia.
Speaker B:And he's like.
Speaker B:She shows a photo, and he's like, I've never seen her.
Speaker B:And Claire's insisting, like, look, she's been missing for years, and her diary said that she was going to meet up with you and you were going to take her to a miracle worker.
Speaker B:So what?
Speaker B:He's like, I don't know her.
Speaker B:I don't know what a miracle worker is.
Speaker B:I never want to see you again.
Speaker B:Bye.
Speaker B:And he leaves.
Speaker B:So she follows him because you know kids.
Speaker B:And she's insisting that he was the last person to talk to her mom and wants his help.
Speaker B:And he slips and says, I don't know.
Speaker B:I don't.
Speaker B:I never knew Amelia Novak.
Speaker B:But Claire had not said the last name.
Speaker B:And so he is busted.
Speaker B:And as he tries to run, she grabs him and he shoves her.
Speaker B:And she hits her head on the dumpster and gets knocked out.
Speaker A:And he at least checks her Pulse and calls 9.
Speaker B:1 1.
Speaker A:Yeah.
Speaker A:I mean, at least he didn't deceiver there, I guess.
Speaker B:Yes.
Speaker A:Okay.
Speaker A:And we have apparently.
Speaker A:Yes.
Speaker A:I like the.
Speaker A:You can tell this is Tulsa, though, by the flowering trees and the pine tree.
Speaker A:It was, as we cut to the next scene, outside.
Speaker A:Outside the Tulsa hospital.
Speaker A:And this is actually outside Vancouver Community College.
Speaker B:That makes way more sense.
Speaker B:Yeah, but, you know, Tulsa's not lush, necessarily.
Speaker A:Oh, the Tulsa pine trees.
Speaker B:Oh, yeah.
Speaker B:So Cass is standing outside the hospital, and Sam and Dean arrive.
Speaker B:And Dean's like, should I even be here?
Speaker B:We're not on the best terms, me and Claire.
Speaker B:And Cass is like, look, I wanted you guys to come with me because you were troubled teens, and I need to know how.
Speaker B:I need your help talking to this troubled teen that doesn't want to talk to me.
Speaker A:I need your troubled teen language.
Speaker A:And Cass has not been able to go inside because he was awaiting backup.
Speaker A:And Dean is ready for Three Men and a Little lady, which I think would have been a much better title than Angel Heart, but I'm just saying that.
Speaker A:So, anyhow, so we go from that to Claire's room.
Speaker A:And Claire's thrilled to see everybody, but especially Dean.
Speaker B:Oh, yeah.
Speaker B:And he.
Speaker B:He was expecting it.
Speaker B:Not shocked.
Speaker B:And so Cassiel is all just worried.
Speaker B:He's like, well, first off, apparently her.
Speaker B:His number is her emergency contact in her cell phone, which is cute.
Speaker B:But Cass is, why were you in a bar?
Speaker B:And Sam's like, hold on.
Speaker B:Why were you in the alley outside the bar?
Speaker B:That's the way bigger question here.
Speaker B:And he's doing a good job of, like, trying to.
Speaker B:Sam does a really nice job.
Speaker B:This is connecting with Claire.
Speaker B:And he's like.
Speaker B:And she's like, just wrong place, wrong time.
Speaker B:And they're like, fine, well, we're not gonna leave till you talk.
Speaker B:So come on.
Speaker B:And she finally says that she was looking for her mom, and she went there and she found this dude.
Speaker B:And I want to talk, find my mom.
Speaker B:Because my mom, I need to tell her off for running my life by leaving.
Speaker B:That's the most important thing.
Speaker A:She's really pissed off because both her parents left her and she's the only one around because Jimmy is up in heaven having it all easy.
Speaker A:And Sam, though, just jumps in on the missing person's case, right?
Speaker B:Yeah.
Speaker B:Like, when was the last time anybody heard from her?
Speaker B:And she's like, look, I've got this really convenient, handy dandy postcard from a motel in Tulsa.
Speaker B:And I'm kind of funny.
Speaker B:He's not.
Speaker B:Not the most common of things, but either way, that was two years ago and been nothing since then.
Speaker B:And it was Curtis's motor court.
Speaker B:And then she tells him about Ronnie and how she found Ronnie, and it's because apparently Amelia was looking for miracles and looking for Castiel slash Jimmy.
Speaker A:Yep.
Speaker B:Just very sad and sweet.
Speaker A:So then outside the room, the three amigos discuss this.
Speaker A:And Dean thinks it may be a case.
Speaker A:And he really just wants to punch something already, which is disconcerting to everybody.
Speaker B:It is.
Speaker B:But then, in the meantime, while they're having this conversation, Claire takes the opportunity to escape the hospital like you do, because.
Speaker B:So Sam is going to go to the motel where she probably is, and Dean and Cass are going to go to the bar to look for Ronnie or her or whatever they can find.
Speaker B:On the way to the bar, Dean tells Cass, like, hey, you know, I get.
Speaker B:I get what you're doing to help Claire is really good and all, but where do you see this ending?
Speaker B:You're.
Speaker B:You're not her dad.
Speaker B:You're just a reminder of someone who's gone, which is true and sad and hurtful, but also, it's kind of shitty.
Speaker A:And also projecting because really, what Dean is trying to tell Cass is that clear, is better when she's on her own and she's stronger because Dean wants to be on his own.
Speaker A:And so he's projecting this all onto Claire Bear.
Speaker A:And that has nothing to do with the situation.
Speaker A:Yes, I think there should, you know, concerns about, like, coming in and out of a teenager's life.
Speaker A:That is not a healthy thing to be doing.
Speaker A:And if you're going to be in her life cast, you should probably stay in her life and not just keep bouncing in and out.
Speaker A:But also, Dean, stop projecting.
Speaker A:And you're very broody.
Speaker A:Stop.
Speaker B:Yeah, he's not the most, like, he's not who I go to for, like, emotional and life advice, just not right now.
Speaker A:And so, yeah, we go back to Susie's bar.
Speaker B:And we've got Castiel and Dean enter with their FBI badges.
Speaker B:And they.
Speaker B:Dean.
Speaker B:They find Ronnie quickly.
Speaker B:And Dean immediately accosts him in his booth asking about attacking.
Speaker B:Asking about attacking a teen.
Speaker B:And Ronnie responds with, that bitch attacked me.
Speaker B:And promptly gets his face slammed into the table.
Speaker B:Kind of.
Speaker B:Kind of, Kind of.
Speaker A:Yeah.
Speaker A:I'm like, you could ask for that one.
Speaker B:And so.
Speaker B:But Dean starts asking about Amelia also.
Speaker B:And Ronnie's like, no, he's very.
Speaker B:Looks scared.
Speaker B:He looks confused and gets his face slammed into the table again.
Speaker B:Finally, Ronnie agrees to talk.
Speaker B:And Castiel's kind of, like, looking real nervous because he's getting loud and beating the.
Speaker B:Kind of like, this guy's clearly a regular, and he's getting his face, like, smooshed on the table pretty badly.
Speaker A:How is nobody else in the bar, like, noticing that nobody cares?
Speaker A:Like, no, it's like, it' Oklahoma.
Speaker A:I think that also says a lot about Ronnie that his head gets slammed into the table and nobody cares.
Speaker B:Yeah, no one cares.
Speaker B:And then.
Speaker B:And so finally, he's like, she was the last one.
Speaker B:And that.
Speaker B:I worked for a faith healer named Peter Holloway, and Ronnie used to be blind, but Peter cured him, gave him his sight back.
Speaker B:And in payment, he had to go find young, lost candidates that wouldn't be missed.
Speaker B:Some will be healed, and some others just looked like they.
Speaker B:He.
Speaker B:He's like, I don't know.
Speaker B:I saw one time they were tied up.
Speaker B:He was cutting on them, and then I saw lines.
Speaker A:And he's just doing, you know, doing soul bumps.
Speaker A:And, you know, it's.
Speaker A:It just always bad.
Speaker A:Also, I think Peter Holloway is a terrible name for a faith healer.
Speaker A:Like, you know, it just doesn't have the pizzazz, you know?
Speaker B:Like, it is not very pizzazzi.
Speaker A:Yeah, it's just not very, you know, like, righteousness or something, you know, like, if I'm gonna get my faith healed, like, I want it to be something a little more, you know, a little more.
Speaker B:Peter, you want some Baby Billy?
Speaker A:Baby Billy?
Speaker A:You know that you can get healed by Baby Billy.
Speaker B:Uncle Baby Billy.
Speaker B:I.
Speaker B:I will, Peter.
Speaker B:Yeah.
Speaker B:Very normal.
Speaker B:Yeah.
Speaker B:So they leave.
Speaker B:And as soon as Dean and Cass leave, Ronnie goes outside and pulls out his.
Speaker B:His cell phone.
Speaker B:We know that's a bad thing.
Speaker B:So Sam is in, doing the creepy thing like.
Speaker B:Like.
Speaker B:Like you see on tv.
Speaker B:But I've had it happen in real life where a parent waits in a room for a kid that snuck out the.
Speaker A:They did that to you?
Speaker B:Yeah, they did.
Speaker A:It was terrifying.
Speaker B:When you snuck out, you come Back home, you turn the light.
Speaker B:You think you're all sneaky.
Speaker B:You turn the light on and they're there and you're like, ah, I'm busted.
Speaker B:Yeah.
Speaker A:No, I never got caught that way.
Speaker A:I did come home once, like, when I thought my parent, My dad was out of town and he was not, and he was sitting in the living room, and I opened.
Speaker A:Almost walked in the back door, and then I saw him, and then I went and sat outside for, like, two hours before, like, he went to bed.
Speaker A:And I can sneak in and go inside.
Speaker A:Anyway, so.
Speaker B:So Claire's in Stamp.
Speaker B:Claire gets her motel.
Speaker B:And Sam had found her there.
Speaker B:Yeah.
Speaker A:And, yeah, it's really scary.
Speaker A:Don't do that.
Speaker A:I, like, I'm so tired.
Speaker A:She didn't shoot him, so.
Speaker A:Because as we loom into this, like, Claire, like, has no hesitation.
Speaker A:She just goes.
Speaker A:So she's packing up.
Speaker A:And Sam really likes her murder board.
Speaker B:He does.
Speaker B:She did a good job on it.
Speaker B:He's impressed.
Speaker B:And about how she used their.
Speaker B:Their, you know, used her clues to put that together.
Speaker B:And he's, like, trying to give her hot tips.
Speaker B:Like, by the way, don't use your real name when you check them in at the motel for future reference.
Speaker B:And these are Sam's.
Speaker A:Like, we're gonna have to come up with a name for these.
Speaker A:But Sam's, like, tips for young hunters.
Speaker A:Like, he keeps, like, popping out.
Speaker A:And none of them are.
Speaker A:They're all, like, very shady.
Speaker A:So.
Speaker A:Yeah, I know.
Speaker A:And these are not things that you can do easily as.
Speaker A:Like, it's very even.
Speaker A:Like, I can tell you after this weekend, like, it's really hard to buy anonymous gift cards.
Speaker A:But I'm just saying that, you know, like, it's really hard to do identity theft these days.
Speaker A:And so kids don't take these tips from Sam.
Speaker A:So you could try and use an alias.
Speaker A:But they're going to want some sort of ID to go with that alias.
Speaker A:So if you're going to go check into a motel, unless it's like, you're going to find one that is, like, only by the hour, and they take cash, but those are the ones that you don't want to stay in because you're going to get bedbugs and crabs.
Speaker A:So that's Elizabeth.
Speaker A:That's Eliza's hunter tip number one.
Speaker A:Okay.
Speaker A:So then, you know, she's.
Speaker A:They're talking about moms.
Speaker A:And I think this is also really funny because it was just Mother's Day, but she's like, you know, she's.
Speaker A:Sam tells her that he didn't get to tell off his mom because she died when he was a baby.
Speaker B:And she pauses, and she apologizes to him like, I didn't know.
Speaker B:And he's like, well, I actually got to know her later in life because.
Speaker B:And we seem to get along because in this line of work, death isn't always goodbye.
Speaker B:And she looks confused.
Speaker B:Rightfully so.
Speaker A:Yep.
Speaker B:So.
Speaker A:And then Claire then also just starts arguing because she has teenage brain, and in her teenage brain, her mom left her.
Speaker A:And Sam is like, did you look.
Speaker B:At the postcards or all of the diary notes to say, I'll be home soon?
Speaker B:Over and over again.
Speaker B:Yeah.
Speaker B:He's like, this doesn't feel like leaving.
Speaker B:And did you look at her credit card statements?
Speaker B:And she's like, no, they wouldn't give them to me.
Speaker B:He's like, cool.
Speaker B:I know you want to, like, not hang out with us anymore, but let me show you how to hack the credit card company.
Speaker A:Yep.
Speaker A:So I'm gonna call that forensic accounting.
Speaker A:So Sam is teaching her how to do forensic accounting.
Speaker B:Forensic accounting.
Speaker B:Okay.
Speaker A:And also, her hair is so pretty in the scene, but I bet it's annoying as.
Speaker A:Because it is split, like, right down the middle, and then it's, like, feathered out over her eyes in this very beautiful way that I.
Speaker A:But just.
Speaker A:I know it's annoying.
Speaker A:Not as annoying as Sam's hair probably is to him right now.
Speaker A:But, you know, it's still, like, probably just.
Speaker A:All right, so we go from our forensic accounting class to the alley.
Speaker B:Yes.
Speaker B:So we've got Ronnie pacing, and his phone rings, and they start having a conversation about how, like, I don't think these guys are FBI.
Speaker B:They're probably hunters.
Speaker B:And then Peter's there, because, of course he is.
Speaker B:Is.
Speaker B:And he's like, well, I wouldn't need a heads up here if you just kept your mouth shut.
Speaker B:And then stops and boops him.
Speaker A:Well, he poops him and makes him blind again.
Speaker A:And then he kills him.
Speaker A:And that's up.
Speaker A:Like, before I kill you, I'm gonna make you blind again.
Speaker A:But then also, you couldn't see it coming.
Speaker A:So, you know.
Speaker A:So I don't know, Ronnie.
Speaker A:Bye, Ronnie.
Speaker B:So.
Speaker A:Bye, Ronnie.
Speaker A:And so we go back to the motel, like, see how easy fraud is, Claire.
Speaker A:Now let me show you how to set up fake credit cards.
Speaker A:That will also make life on the road a lot easier.
Speaker A:Let's do some further identity crimes.
Speaker A:This is.
Speaker B:Let's.
Speaker B:Let's.
Speaker B:Let's make sure we really, really lock that felony in right there.
Speaker A:I mean, the Good thing is, like, I mean, she just turned 18, so now she's an adult and can get.
Speaker B:Full trouble for it.
Speaker B:You know, like the id like, checking in a motel, you might get away with like, not getting in deep.
Speaker B:Deep.
Speaker B:But now you put a credit card fraud into the mix.
Speaker A:So you put a credit card fraud.
Speaker A:Now he's putting a.
Speaker A:Probably identity theft in it as well.
Speaker A:Because that's most of the way the credit card fraud is what I mean.
Speaker A:I heard.
Speaker A:So anyways.
Speaker A:And then Claire is just like, you're talking about the money.
Speaker A:And Sam's like, we don't hunt monsters for the cash.
Speaker A:We do it to help.
Speaker A:Help people.
Speaker B:And she's confused, though.
Speaker B:She's like, that's it.
Speaker B:Like.
Speaker A:Like you have a credit card.
Speaker B:And he's like.
Speaker B:And like, Sam's like, is that not enough?
Speaker A:But there is a knock on the door.
Speaker B:Yeah, Cassandina there.
Speaker B:And they are like, you know, hey, we.
Speaker B:We got a name from Ronnie that we need to research.
Speaker B:So we know that now that Peter did.
Speaker B:May have cured some people, but he was also feeding on off people.
Speaker B:So let's figure it out.
Speaker B:And Castiel gives Clara birthday gift.
Speaker A:And it is a grumpy cat that he bought at the hot topical.
Speaker B:Hot topical.
Speaker A:And if you worked at the Hot Topic, you probably didn't need some hot topical.
Speaker A:So Claire is unimpressed with grumpy cat.
Speaker A:Then Sam gets an alert from the local PD and they learned that Ronnie has been found found dead.
Speaker A:And Claire immediately thinks that team killed.
Speaker B:Immediately goes, what did you do to me?
Speaker B:And Dean's like, I didn't lay a hand on him.
Speaker B:And Cass is like, well, that might be an exaggeration.
Speaker B:He's like, well, I didn't kill him.
Speaker B:And so Dean and.
Speaker B:And Cass are going to suit up.
Speaker B:And Claire's like, nope, I want to go.
Speaker B:And Sam's like, well, I'm gonna stay back and research.
Speaker B:We gotta find Holloway.
Speaker B:So as everybody's leaving, Cass hangs back.
Speaker B:And Sam tells him, or Sam, I can't say it.
Speaker B:Cass stays back for a second to tell Sam that Dean snapped and is getting worse.
Speaker A:There you go.
Speaker A:You got it?
Speaker B:Yeah.
Speaker B:I don't know why it was so hard.
Speaker A:Okay, that's a hard one.
Speaker A:So we got cut from there.
Speaker A:The alley behind the bar.
Speaker A:And they are Agents Clapton and Pink Page.
Speaker A:Come on.
Speaker A:Really?
Speaker A:Really?
Speaker A:That one's not okay.
Speaker A:And I think, how does the sheriff not know?
Speaker A:Anyways, so then they.
Speaker A:They cover for Claire by saying it's bring your daughter to work day at the Bureau, which apparently is a thing.
Speaker B:Yeah.
Speaker B:And Dean's explaining their interests by saying that the vic was a person of interest in a missing persons case.
Speaker A:He's.
Speaker A:Then he is speaking the link, and he's told that it was a stab wound through and through.
Speaker A:No signs of robbery.
Speaker B:I'm gonna point out.
Speaker B:And this is a.
Speaker B:My random observation.
Speaker B:Sheriff Coltrane is her name.
Speaker B:By the way.
Speaker B:Her pants are really good.
Speaker B:Like, they are, like, perfect straight leg fitted.
Speaker B:And I don't know if it's just the way, like, maybe she.
Speaker B:She's just built really well.
Speaker B:But they're really nice uniform cop pants.
Speaker B:They would never be real uniform cop fans.
Speaker B:That's my statement.
Speaker B:Yeah.
Speaker A:Not fair.
Speaker B:They look too good.
Speaker B:I was like, damn, I want some good straight leg pants like that anyways.
Speaker B:Yeah.
Speaker B:So Dean notices, though, out around the stab wound, there's some marks that are inexplicable.
Speaker A:And.
Speaker A:And they're at the point of entry.
Speaker A:And she thinks that maybe they're burn marks.
Speaker A:But they have already managed to pull his cell phone records, like, while they're at this scene.
Speaker A:I mean, damn, Tulsa, Y' all are fast.
Speaker A:And he made two calls prior to dying to the same number.
Speaker A:They already called that number and is dead.
Speaker A:And probably a burner.
Speaker A:They also figured that out.
Speaker B:God.
Speaker A:Tulsa, Oklahoma.
Speaker B:On it.
Speaker A:On some.
Speaker B:On it.
Speaker B:And so then she gets a call and steps away.
Speaker A:And so, okay, one thing is, like, the thing.
Speaker A:That plot line on this one would.
Speaker A:It would be believable.
Speaker A:We opened his phone and the last two calls.
Speaker A:Like, you didn't have to get a cell phone records.
Speaker A:Just open the phone.
Speaker B:Accurate.
Speaker B:Yes.
Speaker B:So, like, that's not how that would work.
Speaker B:They just look at.
Speaker A:You have to get a warrant for those things.
Speaker B:That's.
Speaker B:There's call history anyways.
Speaker A:Yeah.
Speaker B:Yeah.
Speaker B:So when she steps away, Cass is like, this looks like an angel blade, but wider.
Speaker B:That's weird.
Speaker B:And Claire's just like, best birthday ever.
Speaker A:So they get from that back to the hotel where Sam has gotten a lead on Peter.
Speaker A:Dean thinks Ronnie reaching out to Peter is what got him killed.
Speaker A:We have learned that Peter owns a.
Speaker A:A farmhouse.
Speaker A:And according to Amelia's receipts, she's been getting snacks at the Gas and sips all around there.
Speaker B:That's us.
Speaker B:Yeah.
Speaker B:So Claire's like, I want to go and cast is like, I can't let anything else happen to you.
Speaker B:And Dean's like, nope.
Speaker B:And so we have an argument, and they all agree that Dean can't go either because he's too on edge.
Speaker B:So he is going to stay behind with Claire.
Speaker B:And Sam and Castiel are going.
Speaker B:And they are instructed upon Cast departure.
Speaker B:No fighting, both of you.
Speaker A:And Dean starts drinking unrefrigerated beer.
Speaker A:Fridge is right behind you, man.
Speaker A:It's right.
Speaker A:It's right behind you.
Speaker A:Just turn around, put it in the fridge.
Speaker B:And newly 18 year old Claire asks for one.
Speaker A:And surprisingly, he doesn't give her one.
Speaker B:Yeah, I was kind of shocked.
Speaker B:So instead he's like.
Speaker B:He's like, apple stays too cooped up.
Speaker B:We're gonna lose our mind.
Speaker B:I'll lose my mind.
Speaker B:So.
Speaker B:And Claire's got her comeback ready with spoiler alert, you already have.
Speaker B:So they leave.
Speaker A:Oh, teenagers.
Speaker A:And baby Cass wants to know if he should leave Claire alone like Dean said.
Speaker A:And Sam is like, what the.
Speaker A:What the was Dean saying?
Speaker B:I'm like, absolutely not.
Speaker B:She's family.
Speaker B:I mean, not exactly if she's close enough.
Speaker B:You have history.
Speaker B:And it's like, so she's not better off on her own.
Speaker B:You went off to college at your age.
Speaker B:And Sam's like, no, this is good for both of you in the long run to be there for each other.
Speaker A:And she is still a child.
Speaker A:Yes, I know Sam went to Stanford when he was 18, but that is going to college.
Speaker A:Claire is.
Speaker A:Is off on her own.
Speaker B:Yeah.
Speaker B:College is pseudo supervised still.
Speaker A:Yeah.
Speaker B:If you're in a dorm, there are like kind of rules.
Speaker B:Kind of sort of.
Speaker A:Yeah.
Speaker A:So.
Speaker A:Yeah.
Speaker A:But it's a good talk.
Speaker A:And then we cut to putt.
Speaker C:Putt.
Speaker B:Yeah.
Speaker B:So apparently Dean was moderately responsible and took Claire to the.
Speaker B:To play miniature golf.
Speaker A:It was an appropriate activity for you to do with an 18 year old girl.
Speaker B:Yeah.
Speaker A:Well done, Mr.
Speaker A:Winchester.
Speaker A:Yay.
Speaker B:Applause for those.
Speaker B:And then Dean gloats when he sinks the ball and does a Bill Murray Caddyshack impression.
Speaker B:And she gives him a blank face back.
Speaker B:And he is appalled.
Speaker B:She manages to sink her ball.
Speaker A:And why was he appalled?
Speaker B:Because she.
Speaker B:She says she's not a fan.
Speaker A:And she.
Speaker A:Yeah.
Speaker A:That she hadn't seen Caddyshack.
Speaker A:I'm just really terrified that you haven't seen Caddyshack.
Speaker B:And that's why this.
Speaker B:This going most of Caddy Shack, but not straight from front to back.
Speaker B:But I've seen it all in different.
Speaker A:I was really terrified.
Speaker A:I was writing this.
Speaker A:I was like, is it Diana not seen Caddyshack?
Speaker B:And I seen like most of the comedies, if you haven't noticed, like when you come around on those things.
Speaker B:I've seen most of those.
Speaker B:But she's.
Speaker B:But she Lands the ball.
Speaker B:And then she does a Happy Gilmore impression.
Speaker B:So, well, well played.
Speaker B:Well played.
Speaker B:So Sam.
Speaker B:In the meantime, Sam and Cass have pulled up to what looks like an abandoned farmhouse and barn, but they don't think it's actually abandoned.
Speaker B:So back at Putt Putt, Claire and Dean are talking, and she's like, so is this what you do?
Speaker B:You just stay at cheap motels?
Speaker B:She steal credit cards and play mini golf?
Speaker A:I mean, sounds like a Tuesday to me.
Speaker A:And he's just like, yep.
Speaker B:And, no, he says they haven't played in a while.
Speaker B:So he does.
Speaker B:That's the only thing he denies.
Speaker B:He's like, but they help people.
Speaker B:And he.
Speaker B:He tries to explain that he's very sorry what happened to her dad, but tries to explain that he made a sacrifice and it wasn't meaningless.
Speaker B:He gave up his vessel and Castiel saved the whole world.
Speaker B:And she should think of her father as a hero.
Speaker B:Tough.
Speaker B:I mean, it's.
Speaker B:I'm not saying, like, he's completely wrong.
Speaker B:And it's very kind that he's trying to give her this perspective.
Speaker B:Perspective.
Speaker B:But I probably.
Speaker B:I'm also gonna say that she probably does not want to hear that.
Speaker A:Probably not.
Speaker A:And in between there, we did get a trunk shot, and Sam was getting a gun out of his truck that I'm pretty sure was in his pants.
Speaker A:And.
Speaker A:But at least we got to see trunk.
Speaker A:So Sam goes to the house.
Speaker A:Cass is in the barn.
Speaker A:Then on the Putt Putt course, Claire then takes her shot, and she gets the last hole.
Speaker A:And then goes through this very depressing thing about the hole eating your ball.
Speaker B:And she drops.
Speaker B:And she drops her putter in to demonstrate that that's what happens at the last hole on the course.
Speaker B:And somehow this makes Dean have a revelation.
Speaker A:He has an epiphany.
Speaker B:He does.
Speaker B:So they rush back to the motel so he.
Speaker B:So they can do research.
Speaker B:And she is pissed because hunting means homework.
Speaker A:And luckily, we had this book with us at.
Speaker A:When we hit the road.
Speaker A:And.
Speaker A:And then he also reveals what his epiphany was.
Speaker A:And this is where I'm like, what?
Speaker B:I don't know how it got there, but either way, it's that.
Speaker B:Then.
Speaker A:No, no, this is the.
Speaker A:What is that?
Speaker B:The.
Speaker A:Okay, so it's an angel sword, right?
Speaker B:Right.
Speaker A:And this is like.
Speaker A:So they're saying that the mark on, like, the hilt, like, of the sword, and that's why it's different.
Speaker A:And those things burn.
Speaker A:But, like, didn't some angel blades have hilts?
Speaker B:But they were smaller.
Speaker A:Were they Always like a straight thing.
Speaker A:Like, I swear some of them had like, a little.
Speaker A:I don't know.
Speaker A:But anyway, so he's like, it's a sword.
Speaker B:Yeah, it's an angel sword.
Speaker B:It's different.
Speaker B:It's older than the blade.
Speaker B:And Claire's like, you got all that from a putter?
Speaker B:Just funny.
Speaker B:But at the farmhouse, Sam is wandering around in the house with a gun and angel blade pulled while Castiel goes into the barn.
Speaker B:Claire and Dean have discovered the Gregori, which are the Watcher Angels.
Speaker A:Was there a vampire?
Speaker A:Okay, so Gregory, it's straw.
Speaker A:Is that what strugori or witches.
Speaker A:And then.
Speaker A:But in Twilight, was there.
Speaker A:I don't know.
Speaker A:So Gregori really were Watcher Angels?
Speaker A:It's really like a thing from Enoch.
Speaker A:Blah, blah, blah, blah, blah.
Speaker A:They're one of the few named like angels.
Speaker A:Like, but, you know, like in this.
Speaker A:I don't know why I'm saying, like 5,000 times, but it is.
Speaker B:I think it was another story.
Speaker B:You're reminding me.
Speaker B:I'm sorry.
Speaker B:I was trying to.
Speaker A:I know.
Speaker B:I think that was.
Speaker B:I was like.
Speaker B:I got really confused.
Speaker B:What was the Vampire Academy Wasn't that.
Speaker B:It wasn't in there.
Speaker B:I.
Speaker B:I don't know.
Speaker B:Maybe not.
Speaker A:Well, Vampire Academy have stampers and.
Speaker A:I don't know, and strigoi.
Speaker A:So.
Speaker A:Yeah, all this.
Speaker B:One of our vampire lords, one of.
Speaker A:The vampire books has a Gregory in it.
Speaker A:Or we're just getting super confused.
Speaker A:So.
Speaker A:But Gregory, Watcher Angels are a real thing, like in whatever myth anyways.
Speaker A:So some of the lore says they help people.
Speaker A:Some that says they burn them.
Speaker A:Now, dark, big.
Speaker B:So as this is happening, Peter has spotted Sam inside of the farmhouse.
Speaker B:And Castiel has found Amelia.
Speaker B:He is trying to untie her.
Speaker B:And as he's doing so, she is still having this vision of him.
Speaker B:So of she's having the visions of Jimmy coming back.
Speaker B:And so she is fighting him.
Speaker B:And this is.
Speaker B:Is so upsetting.
Speaker A:Yeah.
Speaker B:I don't like it.
Speaker A:Yeah.
Speaker A:But she wakes up, though, and then she knows it's Cass.
Speaker B:And she's like, I tried to find him because he took her husband.
Speaker B:So.
Speaker B:But Dean's trying to call Sam because he's figured this out.
Speaker B:But the vibration distracts Sam instead.
Speaker B:And he gets knocked out by Peter and doesn't answer the.
Speaker A:By the sword.
Speaker B:By the sword.
Speaker B:So Dean is like, well, neither Sam nor Cass answered his phone.
Speaker B:Why the isn't Cass answering the phone?
Speaker B:But he's not good with phones.
Speaker B:So Claire's like, what.
Speaker B:What do you.
Speaker B:What's going on how would an angel like that just like go rogue?
Speaker B:Dean's like, I don't know.
Speaker B:But here we go.
Speaker B:And so he's packing guns and weapons and he pauses for a second and gives Claire a revolver.
Speaker B:Says, happy birthday.
Speaker B:Don't shoot me.
Speaker A:Yep.
Speaker A:Once again, guys, you don't need to give women small guns like that.
Speaker A:Those actually have bigger can kicks and are harder to shoot.
Speaker A:I know you think it looks better for our small little hands, so please just give them regular sized guns.
Speaker A:Thank you.
Speaker A:Okay.
Speaker A:Moving on to the farmhouse.
Speaker A:And Cass is booping Amelia.
Speaker A:But it's not really working.
Speaker A:And I don't know if it's not really working because of the Grigori or because Cass only has half a soul.
Speaker A:I mean like a half of his grace.
Speaker B:Yeah, he's not full.
Speaker A:And he's got his, you know, his Ed wings.
Speaker B:Yeah, he's only got.
Speaker B:Yeah, they're a little sad.
Speaker B:These multi wings are not the same.
Speaker B:So it's not working.
Speaker B:And she is having the revelation that she's been dreaming this whole time about Jimmy and trying to put her family back together.
Speaker B:But she wants to know, you know, she's, she can tell that, you know, Castiel is not him and wants to make sure that Jimmy is in heaven.
Speaker B:And he's like, look, because like, I promise protect your family.
Speaker B:And obviously I failed.
Speaker B:But Claire is alive and she's a strong willed young woman.
Speaker B:So there we go.
Speaker B:Go.
Speaker B:And she's like, I just, you know, I, I, I couldn't figure it out and I ran off because I thought that if I could find Jimmy, I can make things right.
Speaker B:So in the farmhouse, Sam is tied to a chair.
Speaker A:No, he's handcuffed.
Speaker A:At least he's handcuffed, which is slightly more of a secure way.
Speaker A:And we learn that he has been been Peter for the last 50 years.
Speaker A:And before that he was a Jenkins and before that he was a Miller.
Speaker A:But his real name is Tamiel.
Speaker A:And this is where my notes are going up about like what the.
Speaker A:Why is that a vampires thing?
Speaker A:But you know, so Tamiel, Tammy.
Speaker A:We want to call him Tammy.
Speaker B:Tammy.
Speaker A:Tammy picked Peter.
Speaker A:So he chose Peter as his angry name.
Speaker A:And I just, Just.
Speaker A:Yeah.
Speaker B:Judging.
Speaker A:Yeah.
Speaker B:Well, maybe he wanted to be non threatening, I don't know.
Speaker B:But Sam's like, when do, since when do angels feed on humans?
Speaker B:And he's all like hoodie.
Speaker B:Like since I dawn of time.
Speaker B:Your souls are little slices of heaven and delicious meals.
Speaker B:It lasts for years and decades and it's fine.
Speaker B:And Sam's like, you're a monster.
Speaker B:Sorry.
Speaker A:No, I'm a gourmand.
Speaker B:And he's like, I've make heaven a place on earth.
Speaker B:And there were hundreds of us.
Speaker B:I know.
Speaker B:I thought.
Speaker B:And he's like, there were hundreds of us.
Speaker B:We were, you know, we.
Speaker B:We were gonna, you know, protect.
Speaker B:But no, they don't deserve it.
Speaker B:So Sam is slowly pulling the nail out of his chair quietly in the background, while he's distracting this monologue.
Speaker A:Yeah, monologues are good for that.
Speaker A:Then outside, Dean gives Claire's instructions.
Speaker B:Yeah.
Speaker B:And they're sneaking.
Speaker B:He's like, you know, they're gonna.
Speaker B:Gonna go to the house.
Speaker B:But he's like, if you have to shoot, aim for the chest.
Speaker B:And it might.
Speaker B:It's not going to kill an angel, but it might slow him down.
Speaker B:So Castiel is checking on all these other people that are tied up along with Amelia, which is.
Speaker A:Do we.
Speaker B:Concerning.
Speaker A:Just leave those?
Speaker B:I don't think we ever addressed that.
Speaker A:I think they just left those people there.
Speaker A:People there?
Speaker B:I hope not.
Speaker B:We're always left with that impression.
Speaker A:I know they said, like, they will get them help, but they just left.
Speaker B:They just left.
Speaker B:They.
Speaker B:I think, but they have to leave.
Speaker B:Like, what are they gonna explain why they were there?
Speaker B:They probably leave and like dial like 911 and say, go, save all these people.
Speaker A:Like, they pull a ronnie.
Speaker A:Yeah.
Speaker B:They pull a ronnie.
Speaker B:So Claire gets there and anyways, they're.
Speaker B:They're finding.
Speaker B:They're finding Amelia.
Speaker B:That's the excitement here.
Speaker B:And Amelia has to find out that she has been in this place for two years, which is really upsetting to find out you just like, lost two years of your life.
Speaker B:Right.
Speaker B:Like, she doesn't realize that.
Speaker B:That she's been like, living in this weird dream state for like two years of her own personal hell.
Speaker B:Oh, that's fucked up.
Speaker B:Anyways, so that's a midterm election cycle.
Speaker B:Well, Amelia is apologizing to Claire and Dean, tell him to stay there and da, da, da.
Speaker A:Where's Sam?
Speaker B:But Dean and Cass are like, we need to find Sam.
Speaker B:This is.
Speaker B:This is not okay.
Speaker B:So they go to do that and they find a fallen over chair.
Speaker B:And right then they find Sam luckily, and he has armed himself with a plank of wood.
Speaker A:Yep.
Speaker A:And then they.
Speaker A:Gregory, Gregory, Gregory.
Speaker A:Cass explains that they were all destroyed, and Cat and Sam's like, nope, they're not wrong.
Speaker A:You have.
Speaker A:Your info is wrong, bro.
Speaker B:And so now they gotta go find this because he's somewhere on the property.
Speaker B:Claire is trying to lead Amelia out of the barn.
Speaker B:And as they do so, of course Tamiel is there, Tammy's there, and he's like, you can't fix her.
Speaker B:And.
Speaker B:Which is really sad.
Speaker B:And so Amelia shoots him repeatedly.
Speaker A:Claire does.
Speaker B:I'm sorry, Claire does.
Speaker B:While Amelia is collapsing on the ground.
Speaker B:And this is.
Speaker A:Yeah.
Speaker A:Claire doesn't even bother, like, saying anything quippy.
Speaker A:She doesn't do a line.
Speaker A:She just unloads in his chest.
Speaker A:But unsaddly, that does not even slow him down.
Speaker A:And Emelia jumps in front of Claire and gets herself stabbed.
Speaker B:And as that happens, Castiel goes in, tackles Tammy.
Speaker B:Sam and Dean are fighting.
Speaker B:There's a bunch of fighting going on.
Speaker B:But Tammy's strong.
Speaker A:He is liquid Boris strength.
Speaker A:And he almost has the upper hand.
Speaker B:Until Claire finds the blade and stabs him with it.
Speaker A:Yep.
Speaker A:And then she runs back to Amelia, but Amelia is pretty much just gone.
Speaker B:Yeah, it's real sad.
Speaker B:I don't like it.
Speaker B:But then we get a scene of Amelia all cleaned up and healthy, going through that same beautiful, pristine front door.
Speaker B:And Jimmy's there in his heaven.
Speaker B:And I'm crying, like, no, it's not.
Speaker B:Diana was crying, like, for real.
Speaker B:I was.
Speaker B:And he was waiting for her and wanted to know how Claire is.
Speaker A:And she grew up so beautiful and strong, just like her mom.
Speaker A:And then there's more hugging.
Speaker A:And this is one of those cases that they said sometimes in heaven, souls get to be together.
Speaker A:And so these two souls are together in heaven.
Speaker A:And then.
Speaker A:Sweet things.
Speaker A:Yeah.
Speaker A:So we go outside to the farmhouse, and it's daylight.
Speaker A:This is, like, where we just forget the other people that are on the barn.
Speaker A:And.
Speaker A:And Claire wants to know if she's going to a halfway house for wayward girls.
Speaker B:No, she's gonna go live with fucking Jody Mills.
Speaker A:Yeah, she is.
Speaker A:Yay, Jody.
Speaker B:And she's like, sam, I really need to rehash this with you.
Speaker B:You said something about death not always being, like, forever.
Speaker B:And.
Speaker B:And so he's kind of like, yeah, sometimes that's the case.
Speaker B:Sometimes.
Speaker B:And then Dean says going to stay his farewell.
Speaker B:And he feels guilty about taking the gun back from her, so he gives her a present.
Speaker B:And it's a DVD of Caddyshack and a book called the Enochian Myth, which.
Speaker A:He has somehow taken time to found wrapping paper and ribbons for.
Speaker B:He wrapped it.
Speaker A:He wrapped it.
Speaker A:That's impressive.
Speaker A:I'm surprised it's not just in a brown paper bag.
Speaker A:That seems like what Dean would do.
Speaker B:It does.
Speaker B:But she's not interested in homework.
Speaker B:And he's like, You're a liar.
Speaker B:Because I saw in your bag you stole the fucking angel sword.
Speaker B:So you're doing something and trying to figure some out.
Speaker B:So you better learn about it if you're gonna do that.
Speaker A:Yeah.
Speaker A:Don't end up stopping yourself with your.
Speaker A:The sword you just stole.
Speaker B:And we also do see that the Grumpy Cat's in the back.
Speaker A:She has taken Grumpy Cat with her.
Speaker A:Oh.
Speaker A:And he's just like, olivian, if you're going down this path, it's not a long one.
Speaker A:And then she's just like, you look pretty old.
Speaker B:Well.
Speaker B:And, you know.
Speaker B:Yeah.
Speaker A:Yeah.
Speaker B:And she apologizes for setting him up and asks if he's going to be okay.
Speaker B:He's like, I don't know, but I'm gonna keep fighting.
Speaker B:Keep fighting.
Speaker A:Yeah.
Speaker A:He will keep fighting and swinging until he has nothing left.
Speaker A:It's really good.
Speaker A:And then Claire asks him to keep an eye on Cass, and he tells her, do her homework before she does anything stupid.
Speaker A:And then a cab shows up, so.
Speaker B:He helps load her bags in, and Castiel tells her that he's there for her, and they hug.
Speaker B:Oh, and Blue Eyes Crying in the Rain by Willie Nelson starts.
Speaker A:Yeah.
Speaker A:Oh, Grandpa Willie is playing.
Speaker A:And as she's in the back of the cab, Cass just wants someone to tell him she's gonna be okay.
Speaker A:And Sam says, of course, and so will you.
Speaker A:And that's very, very sweet.
Speaker A:And then the cab driver asks if she's going home or leaving home.
Speaker A:And she's just going.
Speaker A:And I really hope she's not taking this cab all the way to South Dakota.
Speaker B:Seems like a long cab.
Speaker A:That's a long cab from Oklahoma to South Dakota.
Speaker A:So hopefully she suspects.
Speaker B:Cab driver's gonna be pissed when he realizes.
Speaker A:How long is it really vlogging, you know, he gets.
Speaker B:It's pretty big.
Speaker B:Well, all right.
Speaker A:So we have two people to talk about.
Speaker B:We do.
Speaker B:We do have some cast here.
Speaker C:Casting couch is the cast.
Speaker A:Couch.
Speaker C:Were they on that show that time with that guy?
Speaker B:Amelia was played by Leisha Haley.
Speaker B:Interestingly, she's also part of an electro pop duo called.
Speaker B:Huh?
Speaker B:Her.
Speaker B:She's been in episodes of Boy Meets World, Ellen Grey's Anatomy, CSI a couple times, and Constantine.
Speaker B:She was Alice in the TV show the L Word.
Speaker B:I mentioned because she was in, like, 70 episodes.
Speaker B:She was a regular character.
Speaker B:And she was Maureen in the recent series Bosch for about half a dozen times, so.
Speaker A:And she was also a former.
Speaker A:I think she was in this fan before, too.
Speaker B:She's another episode.
Speaker B:Yeah.
Speaker B:Peter AKA Tammy, AKA Tamiel was played by Trevor Etienne Treva.
Speaker B:T R E V A To be clear, in episodes of angel, medium and 24, he was an orderly in Eyes Wide Shut.
Speaker B:He was Firimbe in Blackhawk Down, Kohler in Pirates of the Caribbean, Caribbean Curse of the Black Pearl, Ice Pick in Bad Boys 2, Arthur in Green Street Hooligan's 2.
Speaker B:Len in Terminator Salvation, he was in.
Speaker A:I'm just like.
Speaker B:There was a.
Speaker A:There was a sequel to Green Street Hooligans.
Speaker B:Yeah, I don't know.
Speaker B:I didn't know that either.
Speaker B:Apparently there is.
Speaker B:Yeah.
Speaker B:Dingoan in Falling Skies series.
Speaker B:Just like a couple.
Speaker B:Couple dozen episodes of that he was in.
Speaker B:And then Jacques in Bosch, also a reoccurring character for about nine episodes.
Speaker A:So.
Speaker B:Ronnie was played by Russell Porter.
Speaker B:He's been episodes of X Files, almost human arrows, iZombie, Batwoman, and so Help Me Todd.
Speaker B:And he was Brad In Earnest Goes to School.
Speaker B:Susie was played by Gina Chiarezzi.
Speaker B:And she's been episodes of L Word and Bates Motel.
Speaker B:And then she was Young Rosie and Look who's Talking Now.
Speaker B:Sheriff Coltrane was played by Ellen Awosi.
Speaker B:And she's in a couple episodes of Supernatural as well.
Speaker B:She's been in episodes of fringe, Van Helsing, iZombie and Siren a few times.
Speaker B:She was in the Elevator lady in Fantastic Four, she was in Fifty Shades Darker as a guest at the gallery, and she was food and wine presenter in Always Be My Mate, Always Be My Baby.
Speaker B:Cool.
Speaker A:Fun cast.
Speaker A:Yeah.
Speaker B:Yeah, I like that sometimes.
Speaker B:I like it when it's like a.
Speaker B:A compact cast like this because I think that you, you know, we got more time with all of them.
Speaker A:It was a good, it was a good ensemble.
Speaker A:And, you know, we got to get into the characters, which is sometimes hard to do.
Speaker A:And we have these drive by, you know, sort of drive by episodes.
Speaker A:Right.
Speaker A:But yeah, we also, you know, we have characters.
Speaker A:It's.
Speaker A:It's easier because we have Claire coming back.
Speaker A:So what he have, like, we don't have to do Claire's exposition.
Speaker B:Right.
Speaker A:So we can, like, the side characters can get, like, a little more depth.
Speaker B:For sure.
Speaker A:So was this anything like Angel Heart?
Speaker A:I mean, maybe the identity theft, that is the only thing.
Speaker A:Like, it was like they, they.
Speaker A:They both stole identities.
Speaker B:And I guess, like the.
Speaker B:I don't know, I was like, trying to, like, did Tamiel.
Speaker B:Like, I don't know, I was trying to pull something there and I got nothing.
Speaker A:No, no, I think he was just like, there's an angel in a heart.
Speaker A:And I'm gonna name this episode Angel Heart.
Speaker A:And then somebody was like, oh, clearly it must be about this movie.
Speaker A:And maybe like Robbie Thompson likes the movie, but I don't think he was like, inspired by this.
Speaker A:I think in link to be fairly like that movie has inspired a lot of things.
Speaker A:Inspired Memento and like there's a bunch of people that decide it is like they're like one of their.
Speaker A:I don't the films that influence them as a director or a writer.
Speaker A:Like, there's a bunch of people who cite that weird ass.
Speaker B:I want to watch it.
Speaker B:And I don't.
Speaker A:It really is.
Speaker A:It is really good to look at.
Speaker A:There's like a scene like he has to go through like.
Speaker A:Like a hundred chickens and there's.
Speaker A:And they use real animals for it.
Speaker A:That was crazy.
Speaker A:Crazy.
Speaker A:But you know, it's very upsetting and it's very.
Speaker A:I mean, I don't want.
Speaker A:I'm not approved.
Speaker A:You know, I'm not approved and.
Speaker A:But it's.
Speaker A:I also.
Speaker A:I do think that was very interesting as a point in time.
Speaker A:Just looking at what we get upset as a culture.
Speaker A:Like the.
Speaker A:Like the movie would be.
Speaker A:Would.
Speaker A:It would still be controversial now, but I think it would just be different.
Speaker A:Like, you know, it'd be different ways that people.
Speaker A:People would be upset about it for different reasons.
Speaker A:Reasons.
Speaker A:But yeah, I still.
Speaker A:No, I don't think I.
Speaker A:I think it was just an angel in a heart and that.
Speaker A:That was.
Speaker A:And cast.
Speaker B:Yeah.
Speaker B:I think they were saying that Angel Castiel is an angel and his heart.
Speaker A:Look at his angel heart.
Speaker B:Not.
Speaker B:Not the angel heart.
Speaker B:The movie.
Speaker A:No, not the very, very disturbing thing.
Speaker A:And I really honest.
Speaker B:And this was a distressing, disturbing episode.
Speaker B:And I still don't think that's it.
Speaker A:Yeah.
Speaker A:And I will say recommend you go back and watch the old Lisa episodes in the 90s.
Speaker A:Like, I forgot like, that was some nostalgic and yeah, it was.
Speaker A:Oh, but she was.
Speaker A:She was cool in the.
Speaker A:In the 80s that she's not cool now.
Speaker A:But you know, different type.
Speaker A:Yeah, it was.
Speaker A:It was a different world.
Speaker A:Oh oh, did I do that okay on that.
Speaker A:Cheers.
Speaker A:Jerk.
Speaker B:Cheers.
Speaker B:Devil's Trap podcast is a.
Speaker B:Don't get a production meow.
Speaker C:Devil's Trap podcast is part of the Shipit Studio Podcast Network.
Speaker C:Thanks for listening to this week's episode of Devil's Trap Podcast.
Speaker C:You can follow us on Instagram at Devil's Trap Podcast, Twitter at Devil's Trap Pod or you can email us at devilstrap.
Speaker C:Devilstrap podcast.com don't forget to subscribe, leave reviews and share with all your friends.
Speaker C:We're at all your favorite podcast outlets and@devilstrap podcast.com I'm Babe.
Speaker C:Thanks for tuning in.
Speaker C:Tuning in and we'll see you next time.
Speaker B:Going up to the spirit in the sky that's where I'm gonna go when I die When I die and they lay me to rest I'm gonna go to the place that it.
